And you know it before you see it
Yes,I am referrig to our typical Indian movies.Most INdian movies evovle around the concept of love at first sight.Almost in every movie we have a hero meeting the heroine in an unexpected scene and with the exchange of a glance they are in love.Excuse me?Do they even know each other?Have they any clue if the other is married?BUT [irrespective of all our doubts and queries] they fall in love,because that's what is expected,followed by a series of songs where the hero runs behind the heroine among the trees or you have the heroine destroying the sand castle built by the hero and then the hero chasing his love on the beach.Ofcourse all these scenes come to a sudden halt when the girl's family finds out about her love.And then we have to watch the problematic fmaily of the girls' going against the concept of accepting the hero.
99% of the movies will have the the girl's family portrayed as filthy rich and the hero from a lower income family.By then the rich dad has his daughter's marriage fixed to the son of his business partner which is again a politics ie, marriage for money or a smooth flow of business or perhaps a matter of prestige issue.The movie then is not to be expected much from as we all know that either the hero makes a dramatic entry on the day of the wedding or we have stunts with the heroine's finace.Not to mention the depresion following the state of fear where the hero loses hope of marrying the heroine ,by consuming liquor in large quantities to exhibit his masculanity and then barging into the then heroine's finance's house and claming for his love. ;)
If the movie doesn't take a twist of this kind then we have another case where the heroine's father sends men to kill his daughter's love(how inhumanely!!!)and then you have the daughter too suicidng eventually.Now all this happens if the concept is love at first sight.If not, then we have a hero who hires men to cause nuisance to the heroine on her way to college and the hero junping from nowhere into the scene to rescue her from the roadside romeos and impress her.So you have the girl impressed but she isn't in love with him.Shae says a thanks and walks away.BUt like every movie where falling in love has become a necessity, scenes are introduced to ensure they somehow fall for one another.ANd definetly,we have even another exclusive category of movies where the hero goes head over heels for the heroine in the first glance but the reluctant and least bothered heroine isn't really concernd about the hero's existence.Then follows a sequence of scenes where the hero makes desperate attempts to unravel the residential address of the heroine only to relaise at the end of the movie she stayed next door!!!!(so check out whose ur neighbour..lest shud you miss any hunks/chics residing in your next flat!)
Another category of sentimental romance movies arise from the ending where the hero doesn't end up with the heroine,leading to excessive exercise to the tear glands of audiences and therby attaining the name of "really touching movie" and a hit at the box office.Almost every movie follows the same pattern in some way or the other.just with an alteration in dialogue to outsmart audiences like us.
We have a lot too mnay problems with INdian movies considering the fact only obstacles faced by the hero and heroine before marriage is only shot and at the end of the movie they marry,credits roll up and the lights in the theatres are turned on:Movie Over.( "They lived happily ever after"knock! knock! problems arise after marrigae.whose there to shoot issues on that? ) And of course INdian movies don't have intimate scenes as such (not like i am keenly interetsd in watching them but I am pointing out a drawback in comparison in english movies) except for songs where the location is a pub and we have scanty clothed damsels moving their hips(which is not an intimate scene but considered politically inappropriate for the display to indian population).But now hindi movies do exhibit a lot of kissing scenes(leaving youngsters no scope to watch a movie in peace fearing the abrupt entry of an adult into the room since kissing is so casual-shot without prior warning to change channel)after the emergence of Emran HAshmi who set the trend in.South Indian movies still haven't progressed much in that category either.ONe kissing scene and that's the commotion for the movie to be rated as 18+.Yet not wanting to lag behind,the scenes are shown but mostly it is two shadows moving closer and then the vision is blurred (how disappointing! :P)
So now you know how every movie begins and ends.Next time you make plans to go for a movie,glance a thought at this article by a very keen observer of Indian movies as myself and spare the ticket+popcorn expenses for shopping!